September 27, 2024
Rocco Iannone is inspired by Joshua Tree, his middle school teacher and cats.A few months ago, I brought the Ferrari creative team to Lago di Monate (1) outside of Milan to brainstorm the next fashion show. But we weren’t just putting together mood boards; we were sharing personal stories. My father, Giuseppe, who owned a cereal producing company, taught me the importance of giving and receiving love. This picture of us from my childhood (2), taken in 1986, captures a spontaneous moment.Courtesy of Rocco Iannone (3)As a middle school student, I had a strong connection to my art teacher. She was a big collector of clothes — she’d wear Jean Paul Gaultier and Versace — and she helped me understand that I could turn fashion into a career. One day, she showed me this ring (3) she’d bought for herself. It’s got an onyx stone with a little gold sculpture of [Cupid] and Psyche. Eventually, when I decided to study fashion and then become a designer, our roles sort of reversed: I showed her how to dress. When I turned 40 earlier this year, she gave me the ring. I was so touched when I opened the box.From left: Willy Vanderperre/Courtesy of Ferrari; gorunway.com; Tony Cragg, “Tall Head,” 2002 © Tony Cragg, courtesy of the artistIn the summer of 2017, after a decade at Giorgio Armani, I [spent a couple of years at the men’s wear label] Pal Zileri, where I’d been appointed creative director for the first time. Being a creative director gives me the opportunity to really express myself. The spring 2024 Ferrari collection was a turning point for me. A few years into working for the brand, I was able to focus my idea of Ferrari as fashion. This look on Anja Rubik from that collection (4) is like a couture piece. It’s leather, which is very Ferrari, with rounded shapes and clean lines; the stitching on the sleeves recalls a racing check. The title of Ferrari’s fall 2024 collection was The Body, the Energy, the Light. For me, this Purosangue black suit (5), which has a touch of red in it, represents that combination. It was inspired by a Tony Cragg sculpture (6), which I first saw, surrounded by olive trees and next to the ruins of a Greek theater, [at the Scolacium Archaeological Park] in Calabria. The mix of contemporary art with that landscape was amazing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe.

Rocco Iannone is inspired by Joshua Tree, his middle school teacher and cats.

A few months ago, I brought the Ferrari creative team to Lago di Monate (1) outside of Milan to brainstorm the next fashion show. But we weren’t just putting together mood boards; we were sharing personal stories. My father, Giuseppe, who owned a cereal producing company, taught me the importance of giving and receiving love. This picture of us from my childhood (2), taken in 1986, captures a spontaneous moment.

Courtesy of Rocco Iannone (3)

As a middle school student, I had a strong connection to my art teacher. She was a big collector of clothes — she’d wear Jean Paul Gaultier and Versace — and she helped me understand that I could turn fashion into a career. One day, she showed me this ring (3) she’d bought for herself. It’s got an onyx stone with a little gold sculpture of [Cupid] and Psyche. Eventually, when I decided to study fashion and then become a designer, our roles sort of reversed: I showed her how to dress. When I turned 40 earlier this year, she gave me the ring. I was so touched when I opened the box.

From left: Willy Vanderperre/Courtesy of Ferrari; gorunway.com; Tony Cragg, “Tall Head,” 2002 © Tony Cragg, courtesy of the artist

In the summer of 2017, after a decade at Giorgio Armani, I [spent a couple of years at the men’s wear label] Pal Zileri, where I’d been appointed creative director for the first time. Being a creative director gives me the opportunity to really express myself. The spring 2024 Ferrari collection was a turning point for me. A few years into working for the brand, I was able to focus my idea of Ferrari as fashion. This look on Anja Rubik from that collection (4) is like a couture piece. It’s leather, which is very Ferrari, with rounded shapes and clean lines; the stitching on the sleeves recalls a racing check. The title of Ferrari’s fall 2024 collection was The Body, the Energy, the Light. For me, this Purosangue black suit (5), which has a touch of red in it, represents that combination. It was inspired by a Tony Cragg sculpture (6), which I first saw, surrounded by olive trees and next to the ruins of a Greek theater, [at the Scolacium Archaeological Park] in Calabria. The mix of contemporary art with that landscape was amazing.

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